There are rhapsodies on poor lighting, the joys of outdoor toilets and woman with blackened teeth.
There are rhapsodies on poor lighting, the joys of outdoor toilets and woman with blackened teeth.
Two months ago I hosted a book club event at a local bookshop. It was an open book club, that is, anyone could come along provided they were willing to participate in English.
The book in question was called The Art of Travel by Alain de Botton (not my choice). Ever-diligent, I read the book twice. I then prepared notes, activities and discussion points on it.
I wanted to begin with a brief bio of the writer and a brief synopsis of the book. After that, I thought I’d explain what I liked about the book (the accessibility of the prose, the way it flowed, its Britishness, the references to writers and artists, and the logical structure of the work).
Then I planned to entrance the group with my list of dislikes. These were to include the writer’s constant moaning, his ability to feel miserable in any setting , his tendency to state the obvious in a supercilious tone and the white, privileged European male-centredness of the whole enterprise.
The next step was to invite the group to take me on. To let them tell me why I was wrong about the book and to get into a good-humoured (hopefully) debate about the merits and defects of the book…creating a minor stir in our corner of the bookshop. Perhaps casual browsers would look our way and envy the fun we were having. Or not. They could just eye us suspiciously, too. That would have been fine.
Aah, but none of the 8 book club participants had read the book. You see, in Italy, and possibly elsewhere, a ‘book club’ is not necessarily a ‘reading group’, especially when the book concerned is in a foreign language.
Perhaps the participants showed greater judgement than me. The Art of Travel is a mediocre read. They’d saved themselves some disappointment. I hope they’d been reading something more captivating, instead.
Actually, most of the people had come along to practise their English and the book was irrelevant. The event was free and the intent was to promote one of the language schools I work at.
It was easy enough to focus on the broad theme of the book: travel, as well as the destinations featured in it (Madrid, Provence, London and Amsterdam). Bookshop types and people who go along to free, informal book clubs tend to have travelled. Well, actually, everyone tends to have travelled these days; even my father-in-law and he has no interest in books whatsoever.
Non-reading travellers aside, another aim of the club was, of course, to promote the book, to encourage sales. I failed on that score, too. No one hastened to buy a copy. In fact, I think the group decided that it was something they’d rather not read. But, hey, we were in a bookshop and so there were plenty of other book-buying options.
It could be argued that I was providing a useful service. Deciding what not to read, helps us to narrow down our options, bringing us closer to deciding on what our next literary adventure will be.
It’s possible too, that the book club members were way ahead of me and had checked out the book on-line, read a few reviews and concluded that it wasn’t the right book for them.
And so, just in case you’ve ever wondered whether it’s possible to engage in an hour’s chat about a book that no one has read, with a group of people you barely know, then let me assure you that the answer is “yes”. I’d even go so far as to recommend it – the experience, that is, not the book!
Why do you read books? Curiosity? Entertainment? To get out of your head and into someone else’s?
Sometimes I read books because I think they’ll be good for me. That’s why I picked up One Hundred Years of Solitude. Curiosity was also a factor. I hadn’t read any Latin American novels and I thought I might as well start with a Nobel Prize winner.
One Hundred Years of Solitude is a challenging novel; at the same time, it’s not really challenging at all. Not challenging in the sense that once you let go of your preconceptions about how you think literature should be served up to you, it’s actually a very amenable read.
Even a lack of knowledge of Colombian history – such as mine – does not prevent the novel from being accessible, relatable. (Do I sound like a Supertramp song?) The narrative imaginatively retells the big events of Colombian history, using the fictional town of Macondo as the setting.
The main characters are the founding family of Macondo, along with their long line of descendants. Names are handed down from one generation to the next and this is indeed confusing for the reader. But once you let go of your preconceptions about how you think characters should be named, you realise that the writer makes this work. Interconnectedness, and even incest, are part of the story, as is the propensity for history to repeat itself within the family.
This original novel is ultimately satisfying and I feel more well-read after reading it. I strongly suspect it reads much better in Spanish but something is always lost in translation, isn’t it? Be that as it may, this English translation is a fine piece of work.
I intend to explore more of the literature of Latin America. Suggestions would be welcome.
The WordPress.com stats helper monkeys prepared a 2014 annual report for this blog.
Here’s an excerpt:
A San Francisco cable car holds 60 people. This blog was viewed about 600 times in 2014. If it were a cable car, it would take about 10 trips to carry that many people.
The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.
Here’s an excerpt:
A San Francisco cable car holds 60 people. This blog was viewed about 1,600 times in 2013. If it were a cable car, it would take about 27 trips to carry that many people.
What to eat in Rome?
If you want to eat well in a foreign city, it’s always a good idea to do some research before you go.
I didn’t do any research before going to Rome. Slight mistake.
But Rome is a foodie’s city, so we had some positive eating experiences in spite of my lack of preparation.
These positive experiences were had at:
Maxxi21
This restaurant can be found at the Maxxi (the National Museum of 21st Century Art). Here we had a delicious buffet lunch of fresh, well-prepared, modern Italian cuisine. Cost: 18 euros a head.
da Trani Rome Restaurant
Located in a side street off Via Nazionale, this place was a fortuitous find. The staff were amazingly patient and tolerant of Signor Lu’s cross-examinations of the daily specials. (Romans give as good as they get.)
We had a very tasty mezze maniche all’amatriciana (short tubular pasta with a cured pork cheek sauce and pecorino -Roman cheese) and linguine all’aragosta (pasta with lobster) – washed down with the house white wine.
Recommended!
Nuova Stella Trattoria
We had a simple but satisfying lunch at Nuova Stella, located near Rome’s main train station. Pizza with mozzarella and tomatoes and some grilled squid.
Tartufo nero (the black truffle)
Signor Lu had a tartufo nero in Piazza Navona. The tartufo nero is a very rich and sickly iced dessert. Not for the delicate of stomach. He could not eat all of it and so threw most of it away. I know that is not a ringing endorsement but the black truffle of Piazza Navona is something of a Roman ritual. Someone in your party should sacrifice their better judgement and try it out…
A post-dinner reflection
These days, practically every Italian eating, drinking and boarding establishment has a Trip Advisor sticker on its front door. The owl icon has become fairly meaningless and does not necessarily indicate good quality.
This is my last post for 2013, so a very happy New Year to anyone who may be reading this post. Buon Anno!
A Roman breakfast is not a gentle start to the day.
On our recent stay in the Eternal City (2 months ago is recent, right?), our budget hotel gave us vouchers for breakfast at the bar downstairs.
The bar was pleasant and clean. The breakfast consisted of a cappuccino, a pastry and, for a few extra euro, a freshly-squeezed orange juice. This was the right combo of caffeine, sugar and vitamin C to get us started for the day.
The view from the bar window was that of parked vehicles along narrow streets.
Traffic trickled and spurted along these secondary arteries. Horns honked clamourously and brakes screeched: the ideal backing track to the music inside the bar – the hissing of the coffee machine, the rattling of cups, the clanging of spoons on saucers and the chit chat of customers.
A Roman breakfast is not a gentle start to the day, but it will wake you up!
Via Margutta is a particularly pretty Roman Street between Piazza del Popolo and Piazza di Spagna.
Faded yellow and terracotta buildings, 3 and 4 storeys high, line the narrow laneway.
Long, thick vines trail down walls and over archways, their green leafiness softening the ageing edifices.
Via Margutta is not a Roman secret.
Federico Fellini lived there. A plaque marks the spot.
What does the plaque say? I shall transcribe it for you because I am that kind of blogger:
Quante strade rare e belle so l’orgoglio dè sto monno / che t’incanti ner vedelle./ Io però sai che risponno?/ Via Margutta ormai è lampante /che le batte tutte quante / perchè è unica e speciale/ e per monno nun c’è uguale!
Loose translation (warning: my Romanesco is even worse than my standard Italian. In fact, I’m not even sure whether the plaque is Roman dialect as Fellini was not a native of Roman. But here goes, anyway:)
How many rare and lovely streets are the pride of this world/ enchanting you when you see them? /But you know how I respond? /Via Margutta, by now it’s clear, beats them all because it’s unique and special and in this world there’s nothing the same!
Do I agree with Federico Fellini?
On a sunny autumn afternoon it was hard to disagree.
We discovered Via Margutta because we ate at a very disappointing vegetarian restaurant called Ristor Arte il Margutta.
But more on what I ate in Rome in a coming post.
On a grey morning in late October, we caught a series of trains (Mantova-Modena-Bologna-Rome) to Italy’s ancient capital.
By lunchtime we were eating at an outdoor table at a Roman restaurant.
The waiters were those elderly/middle-aged Italian guys that you find working in traditional Italian restaurants up and down the peninsula, especially in tourist hot-spots.
We ate well: a simple pizza and some grilled squid.
For the next few days, we visited churches, museums, squares, and so on. Walking, walking, walking in the lovely, warm autumn sunshine.
But the eternal city is a smelly city, a ruined city with one of the least attractive underground metro systems in the world. (The staff were helpful, though, and pointed out known pickpockets to us. Did we look like potential victims? Was my inner ninja not evident??)
Homeless people and beggars are everywhere and Rome looks its age. Swathes of tourists continue to wear the city down and there is a general lack of cohesion, co-ordination and common-sense.
Is Rome a livable city? Is it a viable city? Will it ever reinvent itself and become a thoroughly functional urban centre or will it always be a beautifully dysfunctional museum-piece with good food?
For all that, I like visiting Rome. It’s also a beautiful city. A stimulating city. A city with depth.
I threw a coin into the Trevi Fountain because I would like to return there some day.
About one year ago, we moved into a lovely new house and one of its many delightful features is the new red kitchen.
Actually, only the kitchen cabinets are red, but such is their glossy lustre that the entire room basks in their cheery glow.
Some people say that red is an appetite stimulant. Fast-food outlets use it in the hope that their customers will eat more and therefore spend more too.
But the new red kitchen hasn’t turned us into greedy gluttons. Not yet, anyway.
If anything, I have simplified my cooking and added new food items onto my list of things I prefer not to eat. (These are mostly meat products.) I get pickier and pickier as I get older.
The fridge is usually empty, too.
But what’s nice, is that the red kitchen is a very comforting and caring place. Even a stale, dry cracker tastes good in there.
It’s a very lovely space to come home to.
In summer, we open up the french doors in the evenings and revel in the extra daylight hours.
In winter, we close the heavy window shutters and take shelter from the elements.
It’s not a huge space, nor is it a luxurious kitchen, but we are very happy with it. Our new red kitchen is a modest success story.